Crystal.Wang: Negotiated Practice --- Research＆Sketch

Research:

Movie --- A Dream in Red Mansions:

beautiful Ladies painting is painting the picture of beauty along the learning of a word.

Chinese Ladies formed a thousand years ago during the Jin Dynasty. Ladies portraits depicted in the drawing object. Ladies in the development process, its performance is also expanding the field. "Ladies" as a concept, a theme categories, one in terms of scale, information on the current record, from the Tang dynasty. Its represent ativepainters Zhang Xuan and Zhou Fang and so on. They wrote of ladies, mostly upper class and aristocratic court life and the door lady. To show people the leisurely life of women atthe top and the complex inner world.

Wei Dynasty is the Ladies of the early stage of development. The woman depicted in ancient Yin mainly women and other myths and legends of the fairy, the prototype of the general type of image from the poem, Fu and other literature and folklore. In the performance of these artists away from the real life, with the idealized women of color, the most concerned about is how the performance of the female external body, the spirit of publicity out of its inherent qualities. The earliest surviving from the current scroll Ladies, according to the Eastern Jin Gu Kai Cao Zhi, "Goddess" poetic creation of the "Goddess Figure" (Song copies) in depicting the goddess of Lo, the typical beauty of Wei Qing as thin bone, bearing Ko Ko's grace.

Tang Dynasty as the most glorious era of feudal society, but also the Ladies of the prosperity phase. Artists to the line optimistic involvement in the world in a variety of close attention to the real world, especially interested in the performance of noble women leisurely way of life, monotonous and relaxed lifestyle. Zhang Xuan and Zhou Fang is famous Ladies of this period home. Described by Zhou Fang, "Wearing Ladies", "Hui Shan Ladies" on behalf of Ladies of the Tang Dynasty palace in the Vivid made outstanding achievements. Realist painter focusing on the shape of truth, women face round and full, plump body robust, temperament elegant beauty, showing under the Tang dynasty royal women's luxury beauty. The United States to have a strong sense of the times, meet in the late Tang Dynasty nobles large bureaucracy aesthetic charm, while much attention, and became the major art of the Tang Dynasty Ladies features. Following the Tang Dynasty, Five Dynasties after the regime change is often times, artists on the creation of the Ladies, that have inherited the tradition of the change in the Tang Dynasty.Gu Hong as the "Han Hsi Banquet map" trick described the female as compared with the ladies of the Tang Dynasty, the most significant change is that song Kabuki plump the skin due to lack of the Tang Dynasty ladies pickled lazy posture, and more healthy beauty.Ruan Gao "Langzhong Court female immortal figure," a slender figure in fairies is beyond the Tang Dynasty style full fat program, even if a change in the Tang Dynasty painting fairies, also began focusing on the performance curve of the line female figure posture of the United States and charming .

Song Dynasty as a relatively stable government, economic development and cultural prosperity of the era. Ladies on the creation of the inherited Tang, Five Dynasties and prosperity of the potential but to be innovative, especially in the subject matter, its scope has expanded to unprecedented performance of the broad point. In addition to the court and aristocracy women, myths and legends of the women being painted, the life of the lowest level of the poor woman began as artists are concerned, such as Wang Masahiro Nakai, "spinning wheel diagram" in women, they and Jin Gu Kai, Tang Zhou Fang pen Ladies, there are no charming appearance, attractive figure, gorgeous costumes and honorable position, they only live in the most ordinary rural women. Underwear Diego gaunt old woman by the patch moves slow, so that it looks hard life full of vicissitudes. The author's realistic to artistic performance without beautifying them, intended to praise their Anpinyuedao attitude towards life and unpretentious personality beauty, but also expressed sympathy for their poor lives. Figure reflects the characteristics of the Song Dynasty Ladies of art, characters rigorous, body proportion accurate, vivid and natural body.As Mongol nobles during the reign of the Yuan Dynasty, a special social status and ethnic conflicts, so that artists who fled to the mountains, bent on seclusion to express feelings of Landscape Painting, which was a result of the Yuan Dynasty Ladies declining trend. The selection of artists in the subject matter, there is no inheritance Song positive performance in all sectors, in various capacities, all sorts of situations, many women's traditional, but, divorced from the reality of life, stories and literary works in history to find the performance of subjects , characters are inherited Tang character on "state, and really thick Italian far-sook, uniform texture and delicate flesh," the legacy, such as Zhou Long painted "Autumn Du map" of Du autumn, she and Zhou Fang, "Hui Shan ladies map "of the characters similar to both Dan Fengyan round face, high nose, small and plump lips, facial expression is not too much. Body fat and plump shape with the straight skirt, waist obscured women's curves.

Ming Dynasty is a period of stability of the regime of feudal society, Ladies in the active participation of literati painters get a great development. In the subject matter, in addition to portraits, the drama, fiction, legend of the colored woman to become a painter of ladies are most happy to create the image. Shape of the characters from the Song of the concrete becoming more and more realistic color with a certain aesthetic freehand.Ladies tall graceful symmetry, face side Zhuangqing Li, gentle demeanor quiet room reveals the beauty of women, in particular, builds on the pavilion between them, dressed in tight-fitting body-Ming clothes, but also enhance their body posture of the slender and elegant wind-induced. Ladies of the art of the Ming Dynasty as a mature stage, this time, not only emerged out of the home of many distinguished Ladies and their creative works, but also on the performance of the technique varied to obtain a high achievement, such as Wu Wei's " Wuling Spring map "represents a clear line drawing Ladies of the highest previous level. Spring in Wuling, smoothing fine lines plotted light ink, picture elegant, show run, more appropriate demonstration of the fragile quiet of the air hostess. Wen Zhengming, "Xiang Jun Xiang Fu people map" Ladies of light color represents the highest level. People with white powder cinnabar color tone of light and color, showing the gentle and graceful beauty of Goddess. Qiu Ying of the Ladies of "Zhou Fang, re-starting, have not been" of the assessment. The "Royal Xiao makeup map", fully demonstrated his meticulous re-color Ladies of deep foundation. Figure in the shape of Yang and Tang imperial court ladies, although ladies, but in fact they have been completely Ming literati ideal image of beauty. They repair the neck, Xiaojian, Liu Yao and Zhou Fang pen song eyebrow cheek, short-necked ladies Chest has a completely different aesthetic charm.

Qing Dynasty, as the last dynasty of feudal society, the development of Ladies At this point, is elevated to the home landscape, flowers and birds all over the exalted status and performance of the theme, as, Qing Gao Chongrui "Panasonic fast set of clear," said "world famous victory water , exotic flowers and birds, Koreyoshi of people one can and, although the Jing, Guan ink, Cui, Ai brush, not as Portrait of the master also. "Ladies of this period increasingly divorced from the creative life, become a conceptualization,stylized performance of the theme, paintings of women, whether Yin woman, lady, fairy, or martial arts in the army, Mulan, Liang Hongyu mused with a neck repair, Xiaojian, Liu Yao's physical appearance, long face, a breakdown of the face lips "Feng Lu Qingchou" dark natural grief Xiaojiabiyu like charm and so on. During this period, whether it is court painter Jiaobing Zhen, cold gold, or change the literati painter Qi, Dan Xu and other expenses, the performance of women are "leaning against the wind Jiao weakness," the manners of their aesthetic pursuit. This stylized "morbid beauty"-like, until Shanghai painter Ren Yi and others appeared, began to change. Artists interested in the creation of the image of women does not mean that the respect for their personality, women were simply being used to demonstrate the art of viewing products only. Therefore, women in the Qing Dynasty painting, painting subject matter in the advancement of reflecting the image of women in society is steadily declining. Although the style of the Qing Dynasty Ladies lost from the Tang dynasty era Ladies healthy stretch of style, but in the performance of the skills they learned on the paintings of some of the positive factors, modeling emphasizes advocating elegant elegant and graceful style, and the Western painting Among the advantages of integration to work, failure to later portraits of innovative technology opened the way.Throughout history, the Ladies from the origin, the formation of the development.Experienced a thousand years long process of evolution, become China's outstanding cultural heritage, today's drawing for people to provide a wealth of experience in innovation.